Mo is the owner of Numberstation and is extremely adept at mixing, engineering, producing, and composing a wide variety of music. Originally from Ontario, Canada, Mo has been active in the Eugene and Portland music scenes since 2001 as a musician, engineer, and producer. In addition to working with bands, Mo is a production sound mixer/recordist, post production mixer and sound designer for film and video.
“I am dedicated to helping artists achieve their vision and create a fun and comfortable environment and lasting works of art. I approach this work with passion and creativity because this is what I love to do, and I have a skill set unlike anyone else in the area. I strive to be a True audio engineer with a working understanding of electrical design, system integration, acoustics, and a strong background in music. I also have a degree in recorded music production and a good understanding of how to highlight an artist’s unique voice while maintaining a fun atmosphere.”
Mo has worked with :
David Bazan, Peter Matthew Bauer (The Walkmen), Richard Swift (The Shins, The Black Keys), Tom Heinl, The Visible Men, Stagger and Sway, Jesse Meade, The Underlings, Touchforce, Billy Barnett, The Cabin Project, Christopher Colbert, The Fast Computers, The Wayne Drury project, Nathan Lester, Mishra’s Dream, Sam Hahn, Hot for Chocolate, Taste, Sowbelly, Adam Gabriel, Secret Train, Ala Nar, One in the Oktopus, Prattle, Abandon Ship, IRIS Educational Media, Track Town Productions, Agate Resources, Cbs news, The Oregon Bach Festival, Star Hub Cable Network, The Eternal Now, Testface, Dead Remedy, Boy’s Club Productions, and more.
Christopher Colbert is a seasoned audio engineer with over 30 years of experience in the industry specializing in front of house for national touring acts, tracking, mixing and mastering for numerous independent acts and major labels.
Chris has worked with :